Surakshya Panta’s Royal Remark Sparks Controversy

A recent interview clip featuring Nepali actress Surakshya Panta has ignited a fiery debate across the nation, drawing sharp criticism from royalists and strong support from intellectuals and the youth. The controversy stems from Panta’s comments on former crown prince Hridayendra Shah, playfully suggesting he could explore a career in the film industry.

The interview segment shows Panta being presented with a photo of Hridayendra. When prompted for her thoughts, she inquired about his lineage and name before remarking on his popularity, particularly among young girls. Asked about his future, Panta offered a cheerful invitation to the world of cinema, noting his good looks and expressing hope for his acting abilities. “Come to the film industry,” she said warmly. “He’s good-looking. I hope he can act too.”

However, Panta also firmly addressed the possibility of monarchy restoration, stating unequivocally, “We’ve not accepted the system of monarchy. I can’t really call him a king.”

These remarks have triggered a strong backlash from individuals identifying as royalists. Online platforms have become a battleground of heated exchanges, with many scolding Panta for her comments. A common sentiment echoed by royalists is the belief that “a king’s son should be a king, not a movie star,” emphasizing a traditional view of inherited roles and responsibilities. Some have gone as far as threatening to boycott her upcoming movie, ‘Khel’.

Despite the vitriolic criticism, Panta has also found significant support from various quarters. Intellectuals have publicly defended her right to express her opinion. Dr. Nirmal Kandel, a prominent figure, lauded Panta’s statement on social media, suggesting that other established artists should take note.

Furthermore, many young Nepalis have rallied behind the actress, viewing her comments as a reflection of a modern mindset that rejects hereditary privilege. Supporters have voiced their belief that the “awakened youth of today will not accept domination” and would rather seek opportunities elsewhere than be subservient to outdated systems.

Adding another layer to the discussion is Surakshya Panta’s recent achievement as the first Nepali actress to walk the prestigious red carpet at the Cannes Film Festival. Her supporters argue that her international recognition and standing make her less susceptible to the impact of a potential boycott within Nepal.

The incident underscores the lingering sentiments surrounding the former monarchy in Nepal, even after its abolition. It also highlights the growing voice and influence of Nepali youth and internationally recognized figures who are shaping a more modern and democratic national identity. The debate sparked by Panta’s seemingly lighthearted comments continues to unfold, revealing the complex interplay between tradition, modernity, and freedom of expression in contemporary Nepal.